2009年12月15日上午9點(diǎn)30分，由中央民族大學(xué)、中國(guó)美術(shù)家協(xié)會(huì)聯(lián)合主辦的50周年師生作品展將在中國(guó)美術(shù)館拉開(kāi)帷幕.
伴隨共和國(guó)60年華誕的來(lái)臨，中央民族大學(xué)美術(shù)學(xué)院也迎來(lái)了成立50年的盛典。中央民族大學(xué)美術(shù)學(xué)院的成長(zhǎng)同時(shí)也代表著新中國(guó)少數(shù)民族高等美術(shù)教育的發(fā)展歷程，在團(tuán)結(jié)奮進(jìn)、蓬勃開(kāi)拓的50年中，經(jīng)過(guò)幾代民族美術(shù)教育家的不懈努力，他們收獲了中國(guó)少數(shù)民族美術(shù)教育和民族美術(shù)創(chuàng)作與科研成果的雙豐收。
這次展覽所選取的作品是該院最近幾年師生共同完成的一批具有代表性的力作，其中全面展現(xiàn)了繪畫、設(shè)計(jì)、美術(shù)學(xué)各專業(yè)在教學(xué)、科研工作中所取得的創(chuàng)作成果，體現(xiàn)出該院藝術(shù)實(shí)踐教學(xué)環(huán)節(jié)中師資力量建設(shè)和人才培養(yǎng)的整體水平，同時(shí)也是我國(guó)少數(shù)民族高等美術(shù)教育發(fā)展水平的一個(gè)重要標(biāo)志。從這批作品中鮮明地體現(xiàn)出該院的辦學(xué)學(xué)術(shù)導(dǎo)向：立足民族傳統(tǒng)、面向現(xiàn)實(shí)生活、努力探索藝術(shù)語(yǔ)言的時(shí)代性以尋求超越，這也是數(shù)代民大美術(shù)人的拼搏方向，將我國(guó)少數(shù)民族美術(shù)教育及美術(shù)創(chuàng)作事業(yè)共同推向了一個(gè)全新的發(fā)展階段。
展覽背景：中央民族大學(xué)211工程三期重點(diǎn)學(xué)科建設(shè)項(xiàng)目子項(xiàng)目課題“新中國(guó)少數(shù)民族美術(shù)教育50年優(yōu)秀成果總結(jié)與研究”項(xiàng)目成果之一
Excellent Works Exhibition for 50th Anniversary of Department of Fine Arts of Minzu University of China
Introduction (Press Release)
With the advent of China’s 60th birthday, the Department of Fine Arts at Minzu University of China has also ushered a celebration after 50 years of existence. The growth of Minzu University of China’s Department of Fine Arts coincides with the development of higher art education related to China's minority nationalities arts education. During the pass 50 years of development, minority nationality art educators from several generations, with united efforts worked tirelessly in concert. Not only did these scholars bring the fruition of various Chinese minority nationality art’s education, they also made major contributions to related art creation and related scientific research.
The pieces on display in this exhibition are of the most powerful breed, representative of teachers and students efforts in recent years. Through display of works in drawing, design, and all other fine arts fields we can see the great achievements of each corresponding area and progress in research and teaching technique. These works undoubtedly demonstrate the faculties’ outstanding ability to cultivate pupils through practical coursework. Moreover, it is a symbol to mark the substantial development of our nation’s minorities’ higher level art education. As is clearly reflected in the pieces themselves the departments teaching techniques focus on ethnic traditions, facing the realities of life, efforts to explore the artistic language of the times in order to seek to go beyond; all of which also represent the exact process of struggle and identity building of artist from several generations at the university. And lastly and importantly, it can be said that just in this way, both the education of and creative industry pertaining to minority nationality art will further evolve through such co-development.
Exhibitions 2009 December 13 to December 20 at the China Art Gallery organized by the Minzu University of China, China Artists Association.
項(xiàng)目負(fù)責(zé)人：殷會(huì)利
展覽主辦：中央民族大學(xué)、中國(guó)美術(shù)家協(xié)會(huì)
展覽時(shí)間：2009年12月15日—12月20日
展覽地點(diǎn)：中國(guó)美術(shù)館4號(hào)、6號(hào)、8號(hào)展廳
開(kāi)放時(shí)間：每日9：00至17：00（16：00停止入場(chǎng)）
